Cornelio Campos in front of his work “Antorcha Guadalupana,” oil on canvas, 2007. Photo by Donn Young.

I’ve written on the artsee magazine blog about Mexican-American artist Cornelio Campos. I recently attended his exhibition Sueños Americanos/American Dreams, which is on display at the FedEx Global Education Center at UNC until October 15, 2011. To quote the Center’s website, Campos’ work is

Modern yet traditional, and deeply personal, the paintings of Cornelio Campos illustrate complex realities of migrant life that are often concealed.

His story is inspiring. I invite you to read my full article (and post comments if you would like) on the artsee magazine blog here.

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I’ve been hard at work on a new project. An art-and-writing project. I’ve been somewhat secretive about it until now. I’m a bit superstitious about all things creative and worry that if I say too much about what I’m working on, I’ll rob it of its power. I will, in effect, jinx myself. And not only that, but what if people ask me how my project is going…and it isn’t? There’s nothing worse than trying to explain to someone how your writing and artwork have hit a brick wall and stalled, when even you don’t understand why that happens sometimes.

But I decided to go ahead and blog about this new project in spite of my fears. So far, it hasn’t stalled. If anything, my frustration has been about not having enough time to spend on it, what with work and family obligations. I am enjoying writing and illustrating this story more than I have enjoyed anything in quite a while.

Here is a preliminary illustration:

I am about 80% done with the first draft of the story. Without saying too much (I don’t want to spoil it), it’s a middle grade story about a boy named Humphrey (that’s him above), a rocky island, two mysterious elderly sisters with a secret (that’s them above, with a metal detector), a lighthouse keeper (you can see the lighthouse in the distance), and a series of vanished ships. There are also lots of other things I love in the story: fossils, ghosts, fishbones, fog, caves, and even a couple of sheep.

I am working on two versions of the story: a written version and a graphic novel version. Here are some of the initial sketches I drew of the characters, including Humphrey. In the bottom left are the Sisters Small of Seacliff Hall, the two mysterious sisters. Drawing the characters really helps me get to know them. I don’t know how it works for most writers, but stories come to me first in a series of pictures. Words come later. This particular story started with an image of Humphrey standing on a foggy ferry landing holding a brown leather suitcase.

The house pictured is an early version of Seacliff Hall, where the two mysterious sisters live. It was originally a cottage, but the story has changed quite a bit since these sketches, and the house has become much larger and more Gothic. (The Sisters Small were once fabulously wealthy, but their fortunes were lost with the decline of the whaling industry.) I did an early color sketch of the house, which I will need to re-do:

So, this is what I have been working on as the summer slipped by…and now August is nearly over and September is around the corner. In addition to hanging out with Humphrey and the Sisters Small, quite a bit has happened since my last post.

My mother has been staying with us. I haven’t lived under the same roof as her since I was a teenager. It’s funny, as a child it was comforting going to sleep at night knowing my parents were right there in the next room in case anything happened. Now, as an adult, it’s the opposite. I am comforted knowing my mother is in the next room, and not in a house all alone, in case anything should happen.

artsee has also been keeping me very busy. We published our one-year anniversary issue in July. We’ve had one of the partners leave, which was sad, but added two new employees, which was exciting.

Last week there was an earthquake and this weekend, a hurricane. No doubt sometime between now and 2012 we will have a meteor strike, and then it won’t matter if I finish writing my story and graphic novel since there will be no one alive to read it.

But anyways, here are some pictures I took from the top of Cape Lookout lighthouse earlier this summer. Humphrey and I hope the lighthouse, and our friends in Beaufort, fared all right through Hurricane Irene.

p.s. apologies for the distracting copyright symbols, but my legal counsel has advised me to include them!

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I drove to LEDE Studio & Gallery in Wake Forest Friday night for the opening reception of Eric Raddatz’s exhibition Memory’s Dying Dream – A Mother’s Passing in Words & Images, which we also profiled in the current issue of Artsee. Death is an uncomfortable subject for most of us… even more so when it is the death of a loved one. Eric, a photographer, documented the last days of his mother’s life in pictures taken with his cell phone. The images make private moments public… and that, for many, is unsettling. But that’s not necessarily a bad thing. Art is sometimes unsettling. We, as human beings, are complicated. We are shaped by genes and experiences unique to each of us. No two fingerprints are alike. And art, by its very nature, sometimes challenges us, forces us to stretch, provides us a window into another’s realm of experiences.

There are many layers to what Eric has accomplished with this project. He is a Hospice chaplain as well as an artist. He deals with faith and grief on a daily basis, and approaches death from a different place than most of us. Sharing his grief in a public way is not as strange to him as it may seem to us. Death is not a taboo subject to him; it’s something he deals with every day.

We teamed with the good folks at Burning Oak Studios and shot a 2-part video interview with Eric to accompany the magazine story (which was written by Neil Hinson). The videos may be viewed on the Artsee website. Eric’s observations on this project are sincere and thoughtful.

Thanks to Ginger Meek Allen, metalsmith and owner of LEDE Studio & Gallery for sharing her photos of Eric and the reception… which, aptly, were taken with her cell phone.

 

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Spent the weekend back in Beaufort, NC to attend the opening reception on Saturday afternoon of artist Anita Francis’ exhibition of book sculptures at the Beaufort Art Center (which we profiled in latest issue of Artsee). The work was amazing… enjoyed seeing Anita again and the Beaufort crowd. Thanks to Trish and Jeff for hosting the after party!

A few happy snaps are below. The whole photo album is posted here.

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Artsee Magazine Premiere Issue

Time flies.

So much has been happening since I last posted. Let’s see…briefly…

I finished the Five Buckets painting (more on that in another post). I’ve started some new pieces which are coming along…slowly.

I’ve made a couple of trips up to the farm to enjoy some peace and quiet and get away from all the chaos.

I am still on the organizing committee for Works of Heart. This year has been a bit of a challenge due to various staff and organizational changes at the Alliance. The 2010 Kick Off Party is this evening at Flanders Gallery in downtown Raleigh. Should be a good time.

And finally… there is artsee.

Way back in the distant past of December 2009, Dan Early, Van Early, Mark Westphal and I met in the conference room at Early Design Group to talk about an idea I had for a new niche magazine for the art community. Over the next few months, Dan designed the awesome name and logo. We contacted Bob Doster about doing sales for the magazine. We had more meetings. Brainstorming sessions. And finally, sometime in the spring (…was it April? May? it’s all a blur) we formed DWEEB Inc. (Doster, Westphal, Early, Early, Byrne), publisher of artsee, a bimonthly, regional magazine for people who create, support and love art.

Artsee Launch Party at 18 Seaboard in Raleigh, August 4, 2010

Artsee Launch Party at 18 Seaboard in Raleigh, August 4, 2010

This past Wednesday evening, the good folks at 18 Seaboard in Raleigh hosted a Launch Party for us (check out the  photo album here). It was a blast. It was from 6:00 to 9:00 and those three hours flew by like three minutes. Because of limited space (and the complimentary wine bar… artsee is a startup with limited funds) we had to keep the guest list manageable and couldn’t do an open invitation, but we had an incredible turnout regardless. The food was great. The wine was flowing. The cash bar did pretty well, too (I can attest to this… I was drinking mojitos). As Pam Gutlon of Outsiders Art said, “It was a magical night.”

Our first issue came out a month ago (hard to believe). We are well into the second issue. Response has been very enthusiastic. You can check the magazine out on the website, www.artseemagazine.com (a more robust website is in the works). You may also download and print a subscription card off the site, www.artseemagazine.com/subscribe.html.

It’s been exciting, crazy, fun. The most common responses have been, “This is excellent!” and “Are you nuts?!?!” The answers to which are yes and yes. But ultimately, the mission of artsee remains its driving force: to create a publication of value for all the various art communities throughout the Carolinas; in essence, to help us think of ourselves as one big art community. Likewise, we want to shine a spotlight on the valuable contribution that art makes to our greater communities every day.

We are a culture that stresses math and science. Art, more often than not, is shoved to the periphery. It’s treated as an “elective.” Why the imbalance? Math and science are important, yes, but no more important than art… which is a direct expression of the very thing that makes us human. The imbalance is unhealthy, not to mention disturbing.

To geek out for a minute, I’m going reference one of my favorite movies. Yes, those of you who know me: The Matrix. We need an Architect and an Oracle. Wake up, Neo.

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