Cornelio Campos in front of his work “Antorcha Guadalupana,” oil on canvas, 2007. Photo by Donn Young.

I’ve written on the artsee magazine blog about Mexican-American artist Cornelio Campos. I recently attended his exhibition Sueños Americanos/American Dreams, which is on display at the FedEx Global Education Center at UNC until October 15, 2011. To quote the Center’s website, Campos’ work is

Modern yet traditional, and deeply personal, the paintings of Cornelio Campos illustrate complex realities of migrant life that are often concealed.

His story is inspiring. I invite you to read my full article (and post comments if you would like) on the artsee magazine blog here.

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I drove to LEDE Studio & Gallery in Wake Forest Friday night for the opening reception of Eric Raddatz’s exhibition Memory’s Dying Dream – A Mother’s Passing in Words & Images, which we also profiled in the current issue of Artsee. Death is an uncomfortable subject for most of us… even more so when it is the death of a loved one. Eric, a photographer, documented the last days of his mother’s life in pictures taken with his cell phone. The images make private moments public… and that, for many, is unsettling. But that’s not necessarily a bad thing. Art is sometimes unsettling. We, as human beings, are complicated. We are shaped by genes and experiences unique to each of us. No two fingerprints are alike. And art, by its very nature, sometimes challenges us, forces us to stretch, provides us a window into another’s realm of experiences.

There are many layers to what Eric has accomplished with this project. He is a Hospice chaplain as well as an artist. He deals with faith and grief on a daily basis, and approaches death from a different place than most of us. Sharing his grief in a public way is not as strange to him as it may seem to us. Death is not a taboo subject to him; it’s something he deals with every day.

We teamed with the good folks at Burning Oak Studios and shot a 2-part video interview with Eric to accompany the magazine story (which was written by Neil Hinson). The videos may be viewed on the Artsee website. Eric’s observations on this project are sincere and thoughtful.

Thanks to Ginger Meek Allen, metalsmith and owner of LEDE Studio & Gallery for sharing her photos of Eric and the reception… which, aptly, were taken with her cell phone.

 

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Spent the weekend back in Beaufort, NC to attend the opening reception on Saturday afternoon of artist Anita Francis’ exhibition of book sculptures at the Beaufort Art Center (which we profiled in latest issue of Artsee). The work was amazing… enjoyed seeing Anita again and the Beaufort crowd. Thanks to Trish and Jeff for hosting the after party!

A few happy snaps are below. The whole photo album is posted here.

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I looked at the calendar this morning and realized that the VAE Gala was only two short weeks away and I still hadn’t made an official announcement so… here it is:

I am the Featured Artist for the Visual Art Exchange’s 2011 Gala and Auction

Where does the time go? The good folks at the VAE asked me last spring (it seems like only yesterday) if I would be the artist for 2011, I accepted, we arranged a studio visit and my painting “Five White Plastic Buckets” (which was still incomplete at that time… but nearly done) was selected as the featured painting. I am very honored.

When I last blogged about this painting, it was still in progress:

Five White Plastic Buckets, in progress

Since then it’s been completed:

Five White Plastic Buckets, Sean W. Byrne, Copyright 2010, All Rights Reserved
Five White Plastic Buckets, Sean W. Byrne, Copyright 2010, All Rights Reserved

Here are a few detail shots:

The entire painting took over 8 months to complete. I think what I enjoyed most about Five White Plastic Buckets was working with the deceptively simple forms of the buckets. Although at a glance they look pretty much alike, they are actually very different.

Some are squatter, some are taller… the multiple “lips” or “ridges” of the buckets vary… some of the handles are flat some are contoured. And of course, all the various cracks and chips make each one unique. I tend to anthropomorphize things (at least the dogs say I do), and as I worked on this painting, I enjoyed watching each of the buckets develop its own personality.

One of the challenges was painting white buckets that aren’t actually white. They’re a combination of warm and cool grays and browns. As the painting progressed, I added glaze after glaze to the barn boards in the background to darken them; not only did it help them to visually recede, but the contrast also helped the buckets read more as “white”.

The VAE’s 2011 Art Auction and Gala will be held on Saturday, February 5 from 6-11 pm at the Raleigh Marriott City Center. Tickets are on sale and may be purchased by clicking here. If you are able, I hope you will come.

Tickets are $85 each or $170 per couple and include dinner, drink tickets for wine and beer and admission to the live and silent auction with cocktail seating. Five White Plastic Buckets will be included in the live auction. Proceeds help support the VAE, a wonderful, wonderful organization.

In closing, I leave you with an assortment of white plastic buckets from the farm. White plastic buckets and… a nice, bright hose. Because I like it.

Assorted buckets. And a hose.

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Ruminant & Incomplete Thoughts 1 - 4, Sean W. Byrne, Copyright 2009, All Rights Reserved

Ruminant & Incomplete Thoughts 1 - 4, Sean W. Byrne, Copyright 2009, All Rights Reserved

My new works Ruminant and Incomplete Thoughts Numbers 1, 2, 3 and 4 will be on display in the Exchange Gallery at the VAE from Dec 4 through 24, 2009.

The Opening Reception is Friday, Dec 4 from 6-9pm.

If you are able, please come on out! Exhibiting in the Exchange Gallery with me are fellow artists Alia E. El-Bermani, Kathy Brancato, Janet Harrell, and Mary Ann Scherr. Also at the Visual Art Exchange during the month of December is their annual A Sale for the Season, which is an exhibit of smaller, gift-sized works all priced under $300.

More information is available on the VAE website, including a map and directions to the gallery. Hope to see you Friday night!

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Ruminant, Sean W. Byrne, Copyright 2009, All Rights Reserved

Ruminant, Sean W. Byrne, Copyright 2009, All Rights Reserved

I started Ruminant last spring. The original inspiration was the title of this blog. I wanted to do something using sheep as symbols for wandering thoughts, ideas, inspirations.

Sheep at the Museum of Life and Science in Durham, NC

Sheep at the Museum of Life and Science in Durham, NC

In preparation for the painting, I made a trip to the Museum of Life and Science in Durham to check out their Gulf Coast sheep and, while in rural Harnett County for my niece’s graduation, took lots of landscape photos.

Following this initial burst of energy, the painting stalled for a few months as life got in the way.

Rural landscapes in Harnett County.

Rural landscapes in Harnett County.

In September, with Works of Heart looming ever closer, I locked myself in my studio for two weekends in a row and completed a painting called Hydroponic Garden that I had started two years ago, but had never finished. This was a strange experience, since Hydroponic Garden is stylistically part of the “Song” series I was deeply into two years ago… and I have since moved on to the “Meditation” series, which is a very different direction creatively. I was happy with the end result of the painting, however, and it exceeded my expectations in the auction.

Hydroponic Garden, Sean W. Byrne, Copyright 2009, All Rights Reserved

Hydroponic Garden, Sean W. Byrne, Copyright 2009, All Rights Reserved

After Works of Heart, I was able to turn my attention back to Ruminant. I settled on four sheep in the foreground (experimenting initially with three and five), arranged them in a grouping that felt comfortable, and balanced the strong horizontal composition with vertical elements such as a broadcast tower, extra-tall trees and two vertical fence posts.

In early October, in need of some R&R, I visited my dad for four days. While decompressing, I found myself being flooded with all kinds of random thoughts. For example, I noticed how the once-imposing, century-old barn was showing its age, and wasn’t looking quite as invulnerable as it used to. I also wondered, while watching my dad hitch up the horses, how many future generations would even know what a horse collar was. My dad and I also had a conversation about the Baltimore/D.C. urban sprawl encroaching ever closer, which made me think about vanishing rural communities in general, and the inevitable march of time.

I collected these thoughts and used them as the basis for a series of small 8″ x 8″ works I am calling Incomplete Thoughts. Some of them, such as Incomplete Thought #1, I am considering doing larger pieces of, providing that particular sheep doesn’t break from the flock and go wandering off, never to be seen again… as sometimes happens.

Incomplete Thoughts 1-4, Sean W. Byrne, Copyright 2009, All Rights Reserved

Incomplete Thoughts 1-4, Sean W. Byrne, Copyright 2009, All Rights Reserved

Ruminant and Incomplete Thoughts 1-4 will be on display in the Exchange Gallery at the VAE on the City Market, downtown Raleigh, Dec 4 – 24. Ruminant is Mixed Media on Panel and is 48″w x 24″h. Incomplete Thoughts 1-4 are Mixed Media on Panel and are 8″w x 8″h. They are all part of the Meditation series.

I will post more about each Incomplete Thought in the coming days/weeks. Don’t hold me to that.

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Cow Barn, Sean W. Byrne, Copyright 2009, All Rights Reserved

Cow Barn, Sean W. Byrne, Copyright 2009, All Rights Reserved

My work Cow Barn has been juried into the VAE’s 20th Annual N.E.W. (Never Exhibited Works) Show! The show was juried by Ce Scott, Director of Residencies and Exhibitions at McColl Center for Visual Art in Charlotte, NC.

The show will run from Sept 4, 2009 through Sept 24, 2009 at the Visual Art Exchange.
The First Friday Reception will be on September 4, 2009 from 6-9pm.

It is an honor to be selected. There is a lot of wonderful work in this show; I hope everyone has an opportunity to swing by and check it out!

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We had a great time at Scope: the NC Landscape last night at the Visual Art Exchange, followed by dinner at Caffe Luna. Crossing placed Second in the cash awards—a surprise and an honor! Thank you to the Visual Art Exchange and everyone involved in putting together this show!

If you didn’t have a chance to attend the reception last night, remember Scope will be on display from June 5-25, 2009. There are a lot of really wonderful pieces in this show to see!

Some happy snaps from last night:

Scope1

Pati Crowe Schetzina, Artist Grace Li Wang and me

Click the link for more photos and the full list of Award winners! Continue reading »

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I am very excited to announce that I have been selected as one of the Visual Art Exchange’s exhibiting artists for the month of December 2009. I will be showing work in the VAE Exchange Gallery along with fellow artists Alia E. El-Bermani, Kathy Brancato, Janet Harrell, and Mary Ann Scherr.

The reception for this show will be Friday, December 4, 2009 from 6 – 9 pm.

You may read more about the The Exchange Gallery here.

Visual Art Exchange 325 Blake St. Raleigh, North Carolina 27601

Visual Art Exchange 325 Blake St. Raleigh, North Carolina 27601

Thank you to the everyone at the VAE!

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Crossing, Sean W. Byrne, Copyright 2009, All Rights Reserved

Crossing, Sean W. Byrne, Copyright 2009, All Rights Reserved

Crossing has been juried into the Visual Art Exchange’s upcoming show Scope: the NC Landscape. The show was juried by David Steel, Curator of the European Collection, North Carolina Museum of Art and will run from June 5-25, 2009.

The reception will be Friday, June 5, 2009 from 6-9 pm at the Visual Art Exchange on the City Market in downtown Raleigh. Come one, come all!

More information about Scope is available here on the Visual Art Exchange website. My previous posting about Crossing is located here.

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