Thinking about making these:
Who wants one?
The big news this week was that Steve Jobs passed away. After his death, I kept seeing this image on Facebook:
I had a funny reaction to it. I both liked and disliked it. On the one hand, I thought it was a great tribute to a man who, in spite of various obstacles, managed to achieve phenomenal success. Who doesn’t love an underdog success story? I’ve seen Moneyball twice and I’m not even a big baseball fan.
So why did the image bother me? Hmmm…well, I felt like, on some level, it was also saying that there is really only one type of success. And unless you “change the world” on the epic scale that Steve Jobs did, then you haven’t accomplished much. If your efforts haven’t been felt globally, if you aren’t a billionaire, famous and powerful…well, why not, you loser?
In the past two weeks I’ve been to two fundraisers. Last weekend I attended the Wake County SPCA’s annual Fur Ball. This past weekend I attended the AAS-C’s annual Works of Heart Art Auction Against AIDS. The events are put on by teams of underpaid and/or unpaid workers who fight very hard to make the world a better place. At both events, I watched supporters open their hearts and wallets in spite of the recession. None of these people are billionaires. They are not famous or powerful. I know many of them personally and I know they have faced (and continue to face) obstacles every day…and they make a difference. They are changing the world, too.
Do you ever ask yourself, “Am I making a difference?” The answer is yes, you probably are.
Maybe you rescued a furry friend from an animal shelter and gave it home? You made a difference.
Maybe you didn’t get those new shoes you didn’t need so you could buy that Hello Kitty purse your daughter (or your son for that matter) wanted so badly? You made a difference.
Maybe you met a friend after work even though you were dog-tired because you knew they needed someone to talk to? You made a difference.
No, not on the epic scale that Steve Jobs did, and yes he was an amazing man and I’d love to read a biography on him. But the accomplishments that many people make, on a smaller, quieter level, are still hugely valuable. These folks are not “making excuses” even though you may not have heard of them. They haven’t invented something you use every day, but they are still changing the world—at the community level, which can then lead to the state level, then to the national level, and on and on. After all, a hurricane’s formation can be contingent on a butterfly flapping its wings.

Cornelio Campos in front of his work “Antorcha Guadalupana,” oil on canvas, 2007. Photo by Donn Young.
I’ve written on the artsee magazine blog about Mexican-American artist Cornelio Campos. I recently attended his exhibition Sueños Americanos/American Dreams, which is on display at the FedEx Global Education Center at UNC until October 15, 2011. To quote the Center’s website, Campos’ work is
Modern yet traditional, and deeply personal, the paintings of Cornelio Campos illustrate complex realities of migrant life that are often concealed.
His story is inspiring. I invite you to read my full article (and post comments if you would like) on the artsee magazine blog here.
A Monster Calls by Patrick Ness. Inspired by an idea from Siobhan Dowd. Illustrated by Jim Kay.
An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor. At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn’t the monster Conor’s been expecting—he’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments. The monster in his backyard is different. It’s ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd—whose premature death from cancer prevented her from writing it herself—Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.
I’ve been waiting anxiously for the US publication of this book (it’s been available in the UK and Australia for months). Jim Kay’s illustrations were what first caught my attention when I read about this book online. Dark. Moody. Moving. Beautiful. (You may visit Jim Kay’s website here, where there are more images of his artwork, as well as more from this book. You may visit author Patrick Ness’ website here.)
I got a call on Tuesday from Quail Ridge Books that my pre-ordered copy was in—a pleasant surprise since I wasn’t expecting it until the end of the month. I picked it up after work, took it home, and read it in one sitting.
It’s a quick read, but not always an easy one. The stark prose and eerie illustrations set the tone of the story early on. Author Patrick Ness steers clear of sentimentality—ensuring that the story never strays from its original idea: that truth is often painful and unfair.
From his bedroom window, Conor can see a yew tree on top of a hill. One night, the yew tree takes on the form of a monster, shambles up to Conor’s window, and speaks to him. (The monster reminded me of another yew tree monster: Green Noah from Lucy Boston’s The Children of Green Knowe, although Patrick Ness’ monster, which speaks directly into Conor’s mind, I found to be scarier.)
The monster says to Conor:
Here is what will happen, Conor O’Malley. I will come to you again on further nights. And I will tell you three stories…And when I have finished my three stories, you will tell me a fourth. You will tell me a fourth, and it will be the truth.
The stories the monster tells Conor make him angry. A good prince is a murderer. An evil queen is rescued. An innocent farmer’s daughter dies for no reason. They seem like, in Conor’s own words, “a cheat.”
“I don’t understand,” Conor says, “Who’s the good guy here?”
There is not always a good guy. The monster says. Nor is there always a bad one. Most people are somewhere in between.
With each story the monster tells him, Conor faces more of life’s truths. And when it comes time for Conor to tell the fourth story, his story, his truth…the book draws to its inevitable conclusion.
The words and pictures deftly capture the fear and instability surrounding 13-year old Conor. The loneliness, the isolation, the frustration…he is dealing with bullies at school, an absent father, an emotionally distant grandmother…and on top of all of this, the guilt and pain of losing a parent.
As the story unfolds, you feel Conor’s fear and anger as he watches his mother succumb to cancer, and the ending of the story is apparent. Any other outcome would not fit the central idea of painful truths (it would be a “cheat”), but knowing the ending did not make the journey any less compelling, or the story any less powerful.
Parts of the story moved me deeply (the tender relationship between Conor and his mother), and parts were so spare and detached they bordered on being cold (the bullying scenes at school). But the honesty and grief of the story is both challenging and satisfying. It grabbed me and didn’t release its hold till the very end.
Stories are the wildest things of all. The monster tells Conor. Stories chase and bite and hunt… When you let them loose, who knows what havoc they might wreak?
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